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To those on the periphery of the culture, the idea of a group of Arab women allowing themselves to be photographed nude, in a hammam, or communal bath, in the Middle East seems unlikely. The stereotypical image of Arab women assumes they are devoutly practicing Muslims, wearing hijabs and long skirts and conducting themselves with religious modesty, exposing their bodies exclusively to their husbands, and perhaps to female relatives or friends behind the closed doors of a hammam. Would they allow themselves to be captured in such an environment by a boundary-pushing year-old American artist, for a gallery show? In the Western imagination, probably not. Later, Al-Arashi would estimate that only about half of them were Muslim. Al-Arashi, who grew up in Washington, D. When Al-Arashi had originally conceived of the photos—inspired by a visit to hammam in Tunis, where she was working on another project, documenting the last generation of Muslim women with facial tattoos—she imagined finding a beautiful, ancient-looking bathhouse for the setting. She scouted in Tripoli, in northern Lebanon, and found some contenders, but quickly struck out; none of the owners were comfortable with the idea. Why am I trying to replicate the old hammams? I want it to be today.